What planet is this?

Who or What Made What

Who or What Made What

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3–4 minutes

As people, we experience a deep anxiety about whether we can tell the difference between the creation of a human and the creation of a machine.

In fact, this a battle, if you would like to call it that, that we lost a long time ago.

And the question of whether a creation is human or machine made often, or historically, has receded entirely into the background.

One reason for this is pure capitalism, or the drive of production.

Ultimately, we care about what is produced rather who produced it. Outside of creative disciplines, that is.

But in addition to that, in addition to capital, really, what happens is that a creation that is enjoyed or benefited from is not one where our primary concern is who created it.

Therefore, I wonder whether it is even worth it to obsess, philosophically, academically, socially, or otherwise, about where a creation came from.

Rather, is it more worth it to focus on the output of the creation, and how humanity can control that output?

Or, likewise, is it more worth it to focus on the utility of that output?

Is it more worth it to focus not on who or what created something, but on the limitations of that creation?

On what limits do and do not exist?

Obviously a prime example in the zeitgeist is Gen AI.

Gen AI is inarguably a technology for which humanity is utterly unprepared.

And, which currently sits at the center of this question: How can humans tell whether something is made by a machine or made by a human?

The line has blurred exponentially in the advent of Gen AI.

However, this is a line which began to blur, and had already almost completely blurred, long ago. Right?

Let’s take music as an example. We care that Blondie sings Heart of Glass as an act of creative genius.

We care that the rhythmic base of the track is enjoyable.

But do we care that this rhythmic base is the combined output of drummer Clem Burke and a Roland CR-78 synthesizer?

In that same sense, in 2024, am I listening to Taylor Swift or am I listening to a track with a particularly successful prompt which an anonymous human fed to Suno AI from their basement?

Similarly, am I watching a commercial developed by a human team at a marketing studio or is it the combined output of the successful prompt of a group of humans and Sora?

Ultimately, we will seize to care about these distinctions at all, just as we have seized to care about the distinction of who or what made many of the things we currently enjoy or have become accustomed to.

Specifically, we become accustomed to technological achievements which by their very introduction to and existence in society have the immediate impact of replacing human output.

In the case of Gen AI, it is an impact which is exponential, and which therefore has yielded the highest anxiety seen to date as to the central question.

So, in the end, I just wonder whether it make sense to focus on the central question of who or what made what at all.

Or, whether it is a futile distraction to focus upon that distinction.

A distraction from things that actually matter.

Like, for example, do we understand Gen AI and its creations?

Why does it yield the output that it does?

What limitations does it possess?

Which limitations are not in place?

Which of its capabilities does it possess which are adverse to human prosperity?

What happens when the output of Gen AI is Gen AI?

What happens when Gen AI makes with with itself?

Perhaps we should care more about these other questions, now and for as long as humanity must contend with what is unleashed.

Which, by the looks of it, humans have created eternal and super-intelligent machines.

Thank you for reading.

ありがとう ございました。

One response to “Who or What Made What”

  1. life Avatar
    life

    It is not relevant whether the rhythmic base of a song was a combination of human skill and a Roland synthesizer, but it is precisely the presence of humanity that generates genuine appreciation for one or another musical group. The proof is how quickly we can dispense with, forget, or reimagine a product generated with little effort using generative AI.

    It’s all about the human element; the existence of those who make up that band that fans want to access. A fan might go to their favorite band’s concert just to see them sing, even knowing that the music beyond the voice is purely synthetic, and despite being able to reproduce it with higher quality in the basement of their house using high-fidelity equipment without the errors inherent in a live performance.

    I think AI is currently an imposed idea much like social media was once conceived – for the economic benefit of several US companies at the expense of decimating other countries’ economies with no scruples, or to put it simply, unnecessary and mostly irrelevant but designed to appeal to people’s unconscious desire to use a product with those characteristics (practically none of the commercially available generative AI functions without Nvidia-manufactured graphics cards, even those that are not American have this inherent dependency).

    For now, AI is mainly confined to intellectual fields – art, science, etc. – where mass production of everyday consumer goods already works efficiently and depends more on the energy available than on ideas generated by AI. But in art, people expect something more than just consuming a product; they want to establish a connection with their favorite artist and their style (their artistic style, lifestyle, etc.). In other intellectual fields that are more technical, we should expect some kind of mentoring from whoever develops a new product or idea – classes, conferences, treatises, articles, etc.

    In short, the fan or learner in any case expects to be influenced by the person they emulate; however, it is not possible to emulate an AI because its information generation mechanisms are not similar to those of humans. A human can be influenced by the information generated by AI, but not by the attitude of the AI. Even if there were such an attitude, it would be irrelevant since emulating that attitude wouldn’t lead us to the same results as when we emulate another human who shares with us the same biological structure and function.

    The problem is the poor choice of attitudes in the capitalist system that has systematically isolated product from creator, making it impossible for one person to emulate another who has produced something interesting. For example, how artists lie about their lifestyle or create an image of themselves that doesn’t correspond to reality; how a technical idea becomes property of whoever holds the patent regardless of whether they are the author of that idea or even have the necessary attitude to develop or promote it.

    In summary, all intellectual activities (those that are not simply physical labor) benefit precisely from the possibility of emulating those who have developed an interesting idea, ensuring its continuity, its will, and this is really difficult in a system where product is separated from producer. AI, on the other hand, only serves to exacerbate this problem already present, eliminating even more any mechanism by which society evolves its own intellectual mechanisms.

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